I’ve been thinking about the distinction between “high art” and “low art” lately, and it strikes me as being somewhat contrived.
Obviously, this isn’t really a radical position on my part, since artists have been challenging this distinction throughout the 20th century (Roy Lichtenstein comes to mind). But I personally haven’t given it much thought until recently, when I finished watching Neon Genesis Evangelion for the third time.*
On the surface Evangelion is just another post-apocalyptic mecha story (albeit a classic one), but it also delves deeply into the psyches of its characters and poses deeply existential questions. It also makes allusions to various themes and figures from mythology, philosophy, and Judeo-Christian mysticism. Watching it can be something of a head trip, and each time I’ve seen it I wind up spotting layers of meaning that I missed the previous times.
In spite of all this, Evangelion would probably be considered “low art”. In general mass-production seems to be one of the major dividing lines between “high” and “low” art. The former tends to involve limited edition or original work, which is shown off in galleries and museums while the latter can be purchased in shopping malls and retail outlets. High art is the province of the cultural elite and the artists which cater to them; low art is for the masses, the philistines, the petit-bourgeois who consume it with the same relish, and in the same quantities, that they consume cheap alcohol. Or so goes the traditional view.
There are several problems with this perspective. Aside from the outright snobbery, this distinction focuses more on the medium rather than the message of any given work. It’s not a question of whether the art is any good, but rather how that art was produced and to whom it is presented.
To be entirely fair, I don’t believe you can separate form and content—any given content lends itself to a certain form, and form can place limitations on what sort of content emerges. A proponent of the traditional view might also point out that when it comes to low art, the primary aim is usually not to express the human condition, but to make a profit. Given such a motive, the likelihood of any pop-cultural product rising to the lofty heights of high art is low.
Nevertheless, I might rejoin that if one of the purposes of art is to express the human condition, one has to be in touch with people. And in general the people are the primary consumers of “high art” are vastly outnumbered by people who do not. One could argue then that the creators and appraisers of high culture are reflecting only a very narrow and privileged band of human experience. Perhaps then a more authentic indication of “the human condition” can be found amongst the purveyors and consumers of pop culture. The zeitgeist is always organic, and therefore bubbles up from “below” rather than being imposed from “on high”.
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* Not to imply I watched the series three times in a row. I’m not that much of a geek.